Glanko & Daniel Bailey
Glanko and Daniel Bailey create music at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar. Their debut Isometrik EP is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace.
Discography
Isometrik Remixes
November 2016
On their debut collaboration, Isometrik, Glanko & Daniel Bailey delivered an EP rich with textural counterpoint, full of brooding yet innately melodic pieces that envelope the listener with their intensity and grace. On this beautiful new companion EP we see these tracks brilliantly deconstructed and made new by Marco Caricola, Arc Lab, Davide Cantile, and Glanko and Daniel Bailey themselves.
From Arc Lab’s sublime expansive reworking of ‘Consunzione’ to Marco Caricola’s emotive neo-classical take on ‘Adiaphora’ to David Cantile’s minimal and brooding dual takes on ‘Vaucanson’, Glanko & Danely Bailey’s guests bring a sense of reverence for the originals along with ingenuity in their re-incarnation. Glanko’s own re-working of ‘Vaucanson’ is luscious and pensive electronic neo-classicism whilst Daniel Bailey delivers an epic and brooding slow build in the form of 12.15’s Riddle (Outro)’.
Isometrik
May 2016
Isometrik is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace. This music exists at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar.
Over its 4-track, 23-minute runtime, Isometrik delivers an immersive musical narrative. Opener ‘In Eboli’ conveys a bustling and brooding nocturnal scene, before ‘Vaucanson’ evokes the sunrise of the morning after – but one coloured by melancholy. On ‘Consunzione’, the cave-like ambience of echoing voices and field recordings is overwhelmed by guitar drones, synths and percussion, which accumulates into a majestic wall of sound. And on mesmerising closer ‘Adiaphora’, Glanko constructs a towering edifice of reverb and glitch around Daniel Bailey’s deliciously languid guitar loops.
Biography
Glanko and Daniel Bailey are old friends who have walked different artistic paths. Glanko has been an IDM/glitch/industrial producer since 2012, while Daniel Bailey has been a singer, guitarist and songwriter in various alternative rock bands, and is also working on a solo project. Their collaboration began in Italy in December 2015, mainly focused on experimentation and combining their unique sensibilities. The result is the Isometrik EP, conceived and recorded during a short stay in Monti Picentini, Italy.
News
Bento – ‘Moon’ (Glanko Remix)
Hidden Shoal is proud to announce the release of Glanko’s remix of ‘Moon’ by Italian duo Bento. Glanko strips out the breakneck jazzy rhythms of the original and replaces them with a sleek sci-fi underbelly, lending ‘Moon’ an elegant yet sinister propulsion. The track is available now to stream on Spotify.
“a masterclass in the use of space, poise and timing, a frail and fragile ghost light whose hypnotic lull comes teasingly shimmered in a sparse sleepy headed detailing” – The Sunday Experience on Glanko & Daniel Bailey’s Isometrik
Glanko is the musical moniker of Italian electronic composer Giuseppe Fallacara. Isometrik, his joint EP with Daniel Bailey, was released on Hidden Shoal in 2016. Remission, his third album, was released on Hidden Shoal in 2020.
Bento are Italian duo Francesco Barletta (synth, vocals) and Umberto Coviello (drums). They have collaborated with artists as diverse as Andrea Ruggiero (Motta, Marina Reitec) Mina Carlucci (Vostok), Sabrina de Mitri, Umberto Coviello and Giuseppe Grassi.
Stunning New Glanko Album Released!
Following on from his brilliant 2016 EP with Daniel Bailey, Isometrik, and recent single ‘Vague Hope’, Glanko presents his epic new album of cinematic electronica, Remission. The album is available digitally now (Bandcamp, Spotify, iTunes etc) and for CD pre-order (CD release 19th May) via Bandcamp. Stream the first single, ‘Vague Hope’, via SoundCloud and YouTube.
A musical narrative played out over 12 tracks, Remission is unrelenting in its emotional and visceral grip. Each track acts as a world-builder, with urgent and insistent slices of widescreen noir electronica nestled amongst brooding atmospheric set pieces. Featuring collaborations with Marco Caricola, Kallax and Daniel Bailey, Remission is as transfixing as it is danceable.
“a masterclass in the use of space, poise and timing, a frail and fragile ghost light whose hypnotic lull comes teasingly shimmered in a sparse sleepy headed detailing” – The Sunday Experience on Glanko & Daniel Bailey’s ‘Isometrik’
Glanko is the musical moniker of Italian electronic composer Giuseppe Fallacara. For years, Fallacara played guitar in many bands, before beginning his explorations with electronic music in 2012. His debut album, Alset, was released in 2014. Isometrik, a joint EP with Daniel Bailey, was released on Hidden Shoal in 2016. Second solo album Osmosi was released in 2017. Remission is his third album – and his first full-length solo release for Hidden Shoal. On 22nd February 2020, Glanko will be opening for Janus Rasmussen (one half of Kiasmos with Ólafur Arnalds) at MAT Laboratorio Urbano in Terlizzi, Italy.
The music of Glanko is available for licensing for film, tv, web, games and beyond via Hidden Shoal. Check here for more info.
Continue reading →“By any other Name” RTRFM Feature Album and Interview
The sublime new Hidden Shoal remix compilation, By any other name, is this week’s RTRFM local feature album! Tracks will be featured on a range of shows across the week so be sure to tune in. Be sure to also check out the wonderful interview at the station with Ben Da Cruz and Sue Summers on the processes and ideas behind the album. The album is available now as a free download via Bandcamp and to stream via Spotify and SoundCloud.
For By any other name, Hidden Shoal invited a number of emerging Perth artists to rework a selection of tracks from the label’s catalogue. With 11 artists reimagining tracks by Target Archery, Erik Nilsson, Glanko & Daniel Bailey, Summon the Birds, Chloe March and Isophene, what’s most striking about By any other name is both the expansive nature of the individual tracks, and the cohesiveness of the overall listening experience.
By any other name features remixes by Boy In Nature, Austy, Alexi, Michael Tyrie, Sue Summers, Ryan Jose, Daniel Zinetti, Crier, Cron, Shane Isard and JW. Boy In Nature infuses the languid tones of Target Archery’s ‘Opium Den’ with an effervescent buoyancy. On Michael Tyrie’s reimagining of Summon the Birds’ ‘Tactile Hallucination’, the structure of the song is inverted, with the epic climax acting as a cinematic scene-setter. Cron’s re-envisioning of Glanko & Bailey’s ambient masterpiece ‘Adiaphora’ injects the original with urgency without losing its sense of grandeur. And Daniel Zinetti’s brilliant deconstruction of Chloe March’s ‘Old Tree Mon Coeur’ breaks the original into a thousand pieces and then ejects them into space.
As always this music is available for licensing for film, tv, games and more through Hidden Shoal.
Continue reading →New Hidden Shoal Remix Comp Released – Free Download
We’re very excited to announce the release of By any other name, a new compilation of remixes of recently released tracks by Hidden Shoal artists. The album is available now as a free download via Bandcamp and to stream via Spotify and SoundCloud.
For By any other name, Hidden Shoal invited a number of emerging Perth artists to rework a selection of tracks from the label’s catalogue. With 11 artists reimagining tracks by Target Archery, Erik Nilsson, Glanko & Daniel Bailey, Summon the Birds, Chloe March and Isophene, what’s most striking about By any other name is both the expansive nature of the individual tracks, and the cohesiveness of the overall listening experience.
By any other name features remixes by Boy In Nature, Austy, Alexi, Michael Tyrie, Sue Summers, Ryan Jose, Daniel Zinetti, Crier, Cron, Shane Isard and JW. Boy In Nature infuses the languid tones of Target Archery’s ‘Opium Den’ with an effervescent buoyancy. On Michael Tyrie’s reimagining of Summon the Birds’ ‘Tactile Hallucination’, the structure of the song is inverted, with the epic climax acting as a cinematic scene-setter. Cron’s re-envisioning of Glanko & Bailey’s ambient masterpiece ‘Adiaphora’ injects the original with urgency without losing its sense of grandeur. And Daniel Zinetti’s brilliant deconstruction of Chloe March’s ‘Old Tree Mon Coeur’ breaks the original into a thousand pieces and then ejects them into space.
As always this music is available for licensing for film, tv, games and more through Hidden Shoal.
Continue reading →First Single from New Hidden Shoal Remix Compilation
Boy In Nature’s remix of Target Archery’s ‘Opium Den’ is the first single lifted from By any other name, a forthcoming compilation of remixes of recently released tracks by Hidden Shoal artists. The track is available now as a free download via Bandcamp and to stream via SoundCloud. By any other name will see release on the 19th August 2019, available as a free download via Bandcamp and streamable via Spotify.
For By any other name, Hidden Shoal invited a number of emerging Perth artists to rework a selection of tracks from the label’s catalogue. With 11 artists reimagining tracks by Target Archery, Erik Nilsson, Glanko & Daniel Bailey, Summon the Birds, Chloe March and Isophene, what’s most striking about By any other name is both the expansive nature of the individual tracks, and the cohesiveness of the overall listening experience.
By any other name features remixes by Boy In Nature, Austy, Alexi, Michael Tyrie, Sue Summers, Ryan Jose, Daniel Zinetti, Crier, Cron, Shane Isard and JW. Boy In Nature infuses the languid tones of Target Archery’s ‘Opium Den’ with an effervescent buoyancy. On Michael Tyrie’s reimagining of Summon the Birds’ ‘Tactile Hallucination’, the structure of the song is inverted, with the epic climax acting as a cinematic scene-setter. Cron’s re-envisioning of Glanko & Bailey’s ambient masterpiece ‘Adiaphora’ injects the original with urgency without losing its sense of grandeur. And Daniel Zinetti’s brilliant deconstruction of Chloe March’s ‘Old Tree Mon Coeur’ breaks the original into a thousand pieces and then ejects them into space.
As always this music is available for licensing for film, tv, games and more through Hidden Shoal.
Continue reading →
Hidden Shoal in Textura’s Ten Favourite Labels of 2018 List!
Hidden Shoal is incredibly honoured to have been selected as one of Textura’s Ten Favourite Labels of 2018. Textura is, in our opinion, the premiere new music magazine and favourite of the label team for unearthing and exposing new and exciting new music. This is the second time Hidden Shoal has been selected in Textura’s best labels list and as always we are nestled against some other very special labels, all of who you should check out.
Now for a very brief and unnecessary acceptance speech – we are nothing without our incredible roster of artists, who continually amaze, inspire and surprise us. Thank you all!
Eat Your Friends: A Hidden Shoal 10th Anniversary Compilation
Hidden Shoal is excited to end the celebration of its 10th year of existence with the new compilation album Eat Your Friends, comprising remixes and covers of Hidden Shoal artists, by Hidden Shoal artists. This freely downloadable album not only showcases the wealth of original music released through Hidden Shoal, but also the creative ingenuity and deft musical touch of the remixers and cover artists.
From searing solar-flared adaptations to delicately reconstructed covers, deep space jam reworkings, and shimmering ambient tapestries, Eat Your Friends reimagines the Hidden Shoal discography in new and beautiful ways, playing to all the strengths of the roster’s dizzying array of talent.
Includes remixes and covers by: Antonymes, Arc Lab, Glanko, Wayne Harriss, Liminal Drifter, Makee, Chloe March, Markus Mehr, Erik Nilsson, REW<<, Slow Dancing Society, Tin Manzano, Willem Gator, and Zealous Chang of music by: Arc Lab, Brother Earth, Cheekbone, City of Satellites, Medard Fischer, Gilded, Glanko & Daniel Bailey, Kryshe, Memorybell, Erik Nilsson, perth, Slow Dancing Society, Tangled Star, Umpire, and Zealous Chang.
Eat Your Friends is available now as a free download via Bandcamp and is also streamable via SoundCloud. Listen and then throw yourself into the wormhole as you explore the originals and more work by the remixers and cover artists. For all the filmmakers, games designers and others in need of engaging music, don’t forget that all tracks in our catalogue are available for licensing (film, tv, games, compilations etc).
Continue reading →Glanko & Daniel Bailey’s “Isometrik Remixes” EP Out Now!
We’re excited to announce the release of Isometrik Remixes, featuring reworkings of Glanko & Daniel Bailey’s atmospheric ambient EP Isometrik. The EP is available now via BandCamp, Spotify, iTunes and the other usual suspects.
On their debut collaboration, Isometrik, Glanko & Daniel Bailey delivered an EP rich with textural counterpoint, full of brooding yet innately melodic pieces that envelope the listener with their intensity and grace. On this beautiful new companion EP we see these tracks brilliantly deconstructed and made new by Marco Caricola, Arc Lab, Davide Cantile, and Glanko and Daniel Bailey themselves. From Arc Lab’s sublime expansive reworking of ‘Consunzione’ to Marco Caricola’s emotive neo-classical take on ‘Adiaphora’ to David Cantile’s minimal and brooding dual takes on ‘Vaucanson’, Glanko & Danely Bailey’s guests bring a sense of reverence for the originals along with ingenuity in their re-incarnation. Glanko’s own re-working of ‘Vaucanson’ is luscious and pensive electronic neo-classicism whilst Daniel Bailey delivers an epic and brooding slow build in the form of 12.15’s Riddle (Outro)’.
Continue reading →Hidden Shoal is 10!
Hidden Shoal is extremely excited to be celebrating its 10th birthday this month. It’s hard to believe that back in May 2006, Perth-based musicians Cam Merton, Stuart Medley and Malcolm Riddoch began Hidden Shoal Recordings as a means to put out releases by local artists. Tim Clarke, based in Melbourne, joined the team in 2007. Hidden Shoal has since gone on to become a much-loved independent label and publisher, releasing over 120 albums from a diverse range of international artists and licensing music from its catalogue across film, tv, web and compilation.
Stay tuned for special anniversary announcements in the coming months!
Continue reading →Glanko & Daniel Bailey “Isometrik” EP Out Now!
We’ve been waiting patiently to share this amazing debut collaboration between IDM/glitch/industrial producer Glanko and guitarist Daniel Bailey and now the wait is over. Isometrik is evidence of the kind of alchemy that can only be conjured when two creative minds are perfectly in tune. Rich with textural counterpoint, these brooding yet innately melodic pieces envelope the listener with their intensity and grace. This music exists at the intersection of soundscape and song, where field recordings and loops play as important a role as piano and guitar.
Over its 4-track, 23-minute runtime, Isometrik delivers an immersive musical narrative. Opener ‘In Eboli’ conveys a bustling and brooding nocturnal scene, before ‘Vaucanson’ evokes the sunrise of the morning after – but one coloured by melancholy. On ‘Consunzione’, the cave-like ambience of echoing voices and field recordings is overwhelmed by guitar drones, synths and percussion, which accumulates into a majestic wall of sound. And on mesmerising closer ‘Adiaphora’, Glanko constructs a towering edifice of reverb and glitch around Daniel Bailey’s deliciously languid guitar loops.
Head to the artists’ profile for all stream and buy links and to read more about the collaboration. Isometrik also joins the Hidden Shoal licensing catalogue and we have no doubt these songs will find themselves perfectly matched to many a visual sequence!
Reviews
“Eat Your Friends” Compilation Reviewed at DOA
“Over almost a decade, Hidden Shoal records developed a reputation as a consistently innovative and experimental music label, giving to us music of remarkable qualities whether it was the instrumental excursions of Gilded, the blissed-out indie of My Majestic Star, the electronica of Marcus Mehr, the alt.folk stylings of Kramies – the HSR list of significant talents was a lengthy one. I say was, as in 2014 or thereabouts, the Hidden Shoal label underwent a reorganisation of sorts, and it began to seem that one of the more influential Australian record labels of the recent past was itself going into hiding. Perhaps so, although only to return refreshed, renewed, invigorated and with its varying artistic visions intact – the Eat Your Friends compilation proves that the Hidden Shoal label is properly with us again.
One thing I’ve found when reviewing compilations is that not infrequently, when I put them into my music players, the tracks separate instead of remaining in their album folder, and that has happened with my copy of Eat Your Friends, encouraging me to view each of the tracks as a single release rather than view the album itself as a cohesive whole. Then there’s the fact that only some of its contributors are already known to me and so, ditching some of my preconceptions about what it’s going to sound like, I began listening to the 11 tracks in a random sequence, and prepared for the unexpected.
Firstly, there’s singer/songwriter Erik Nilsson’s “Moksha Can Wait”, a song which electronic composer Marcus Mehr has taken and adapted to his subtly developed production sound, a track that begins almost inaudibly and builds to a staggering crescendo of soaring, roaring electronic sound and with Nilsson’s guitar and piano providing a counterpoint to Mehr’s swirling atmospherics. The ambient chill of City Of Satellites is given an added gloss by Tim Manzano, although I’m not so sure what he’s actually done with the track – it does sound a lot like the City Of Satellites I know from their Machine Is My Animal album, although as the track progresses and the rhythm and bass begin to disintegrate into a dubby conclusion it seems more apparent where Manzano has left his mark. Arc Lab’s “Through The Burning Glass” is remixed by Glanko, beginning with a club-level bassline before levelling into a noir tinged synth epic. And just when you thought the tracks on Eat Your Friends were entirely instrumentals, Rew perform a cover version of Umpire’s “Green Light District” and they do it with a vocal, alongside the strings and crashing cymbals and haltingly uncertain rhythms, a highlight of an album each of whose tracks is in one or another way remarkable.”
– DOA
Continue reading →Glanko & Daniel Bailey “Isometrik” Reviewed at The Sunday Experience
“Latest, one of many in truth – we must get them to mail us a definite release schedule – from the adored hidden shoal imprint. Scarcely a dry eye or a glum face in the gaff by the time this completed its visitation cycle, a perfect ‘before everyone gets up’ moment of sweet solitude. This is from a debut EP by duo glanko and daniel bailey, a track by the name ‘adiaphora’ – a beautifully set shy eyed lovely offering a masterclass in the use of space, poise and timing, a frail and fragile ghost light whose hypnotic lull comes teasingly shimmered in a sparse sleepy headed detailing that softly unfurls, stretches and thaws into fully formed view with demurring desire. One for the kranky old guard.”
Continue reading →Glanko + Daniel Bailey “Isometrik” Reviewed at So What
[Translated via Google. Read the original here.]
“A nocturnal wanderings warm mellow shades, a trip to a gradual and inexorable numbness of the senses. Sounds are voluptuous and enthralling those combined by sound artist Giuseppe Fallacara aka Glanko and guitarist Daniel Bailey , merged into a balanced and compelling synthesis that is the hallmark of their ep “Isometrik”, published by the Australian Hidden Shoal .
The initial liquid pulsations of “In Eboli” instantaneously introduce the atmosphere of the album Twilight, pouring in a steady pace and deep studded with interference fit to the melodic line that drives the track. After the fragile textures and suspended the brief interlude of “Vaucanson” it arrives at the height of the path, represented by the mysterious and disturbing “consumption”. The incisive sound reverberates in a wrap-density full of rough echoes before opening up to a narrative dimension, wherein the synthetic modulations and sharp textures of dialogue guitar in perfect harmony, in an emotional crescendo gritty that still leaves out a delicate and bright melody track . Everything converges on the quiet and pleasant in the doldrums “adiaphora”, the guitar to linger in its hypnotic stream, lying to a more ethereal backdrop but still vaguely dark, as to score a perfect homecoming at the first light of day.”
– So What
Continue reading →Glanko + Daniel Bailey “Isometrik” Reviewed at Igloo Mag
“Two friends taking different musical paths—Glanko filtering glitch-data streams and electronics (ref. Igloo’s 2014 Alset review released on Halbsicht), Daniel Bailey on the guitarist/songwriter spectrum—bring together their strengths on the Isometrik EP with Australia’s expansive Hidden Shoal imprint.
A 4-track, 23-minute manifest featruring subdued low-pressure and high emotion, each slice a fragment of life, like fading Polaroids in your grandparents attic. Running parallel elements you might encounter alongside Loess and Loscil, each piece opens vivid laid-back sound arrays, textures, tones and trips.
“In Eboli,” perhaps the beatier of the lot, loops its synth note around chilled background noises. Lightly dabbling in the mist, bass line in full color, this opener rolls by vast classical plateaus. “Vaucanson” delivers airy soundtrack treatments, piano keys and a solemn venture through time. Isometrik allows a multi-dimensional sphere to appear, its sonic resonance clear to the ears as it delves deeper into spacious trajectories. “Consunzione” reveals falling rain drops, a sparse, if not dark drone punctured by emotive keys gradually expanding as the minutes begin to collapse in surreal harmony. “Adiaphora” blurs the audible lines—its softer shoegaze flow and pillowed blur forms a cohesive dreamscape encapsulating the entire EP. A well-conceived quadruplet that will hopefully spark further interests in a full-length collaboration.”
Continue reading →
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Licensing
All tracks from the Isometrik EP are available for licensing (master & sync cleared) through Hidden Shoal. Please contact us with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.