Craig Hallsworth
“Craig Hallsworth knows his way around a tune with this set of sparkling power-pop, set with a country twang and cosmic touch” – 2ser on Tangled Star’s album Let’s Adjourn to the Garden
Craig Hallsworth attempts to resingularise, for himself, the experience of a rock or pop song. He doesn’t approach it from the outside, in terms of styles or genres, but from the inside, as a field of affects and intensities. For him, songs are about the desire to play guitars and drums and to sing, expressing the poetry, humour and absurdity of a person finding themselves in this situation.
Discography
What’s The Story With This Hole?
With over 30 years of songwriting experience under his belt, Craig Hallsworth makes What’s The Story With This Hole? feel effortless yet boundless. Recorded and produced with long-time collaborator Al Smith (DrAlienSmith, Bergerk Studios), the album represents the most musically developed and fully realised recording the pair have delivered to date. On the surface, these are perfectly composed and innately melodic pop/rock songs, with Hallsworth’s guitars alternately shimmering and snarling around his unmistakably keening vocals. The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.
It’s this juxtaposition that makes What’s The Story With This Hole? so special – musically rich and familiar sounds taken into unrelated narrative territories. In Hallsworth’s own words, “To me, the mysterious undecidability in the words plays a crucial part in the overall experience of the songs, making them events of sense and sensation. It isn’t so much that I consider the lyrics to be poetry, but I think a sense of poetry would be useful in approaching these songs.”
‘We’re Too Far Away (My Other Future, My Other Youth)’
‘We’re Too Far Away (My Other Future, My Other Youth)’ is the first single taken from What’s The Story With This Hole?, the debut solo album by Western Australian songwriter Craig Hallsworth.
With over 30 years of songwriting experience under his belt, Craig Hallsworth makes What’s The Story With This Hole? feel effortless yet boundless. Recorded and produced with long-time collaborator Al Smith (DrAlienSmith, Bergerk Studios), the album represents the most musically developed and fully realised recording the pair have delivered to date. On the surface, these are perfectly composed and innately melodic pop/rock songs, with Hallsworth’s guitars alternately shimmering and snarling around his unmistakably keening vocals. The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.
It’s this juxtaposition that makes What’s The Story With This Hole? so special – musically rich and familiar sounds taken into unrelated narrative territories. In Hallsworth’s own words, “To me, the mysterious undecidability in the words plays a crucial part in the overall experience of the songs, making them events of sense and sensation. It isn’t so much that I consider the lyrics to be poetry, but I think a sense of poetry would be useful in approaching these songs.”
Biography
Craig Hallsworth was the singer, guitarist and principal songwriter in Perth bands and projects The Bamboos, The Healers, wild palms, Zuvuya, Outstation, The Slow Beings and Tangled Star. What’s The Story With This Hole? is his debut solo release on Hidden Shoal. He is currently working on his second.
News
Hidden Shoal in Textura’s Ten Favourite Labels of 2018 List!
Hidden Shoal is incredibly honoured to have been selected as one of Textura’s Ten Favourite Labels of 2018. Textura is, in our opinion, the premiere new music magazine and favourite of the label team for unearthing and exposing new and exciting new music. This is the second time Hidden Shoal has been selected in Textura’s best labels list and as always we are nestled against some other very special labels, all of who you should check out.Now for a very brief and unnecessary acceptance speech – we are nothing without our incredible roster of artists, who continually amaze, inspire and surprise us. Thank you all!
Continue reading →Craig Hallsworth Announced for RTRFM’s In The Pines!
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We have more exciting live news for you. Craig Hallsworth has just been announced as part of the In The Pines 2017 line up. He and his excellent new live band will playing alongside the likes of Jebediah, Sodastream, Institut Polaire, Childsaint, Doctopus, Tangled Thoughts of Leaving and many more. In The Pines is an RTRFM and Perth yearly institution with the line up and even never failing to impress. It all happens on the 30th April with pre-sale tickets available now for a ridiculously cheap $35 or $30 if you’re an RTRFM subscriber. All details available here.
Craig Hallsworth AMRAP Metro Australian Radio Chart Top 10!
Craig Hallsworth’s brilliant solo debut What’s The Story With This Hole? has landed in the top 10 of the AMRAP Metro Australian radio chart. The album has been getting plenty of spins across Australia’s fine independent stations and has been a featured release at RTRFM Perth, 4ZZZ Brisbane, Edge Radio Hobart,FBi Radio Sydney, and Triple R and Mountain District Radio in VIC.Check out the album here and be sure to check out Craig’s body of work as Tangled Star.
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Apricot Rail and Craig Hallsworth in Tone Deaf Best Of List!
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Apricot Rail’s ‘Scarecrow’ and Craig Hallsworth’s ‘We’re Too Far Away (My Other Future, My Other Youth)’ have been featured in Will Backler’s (RTRFM Music Director) “The 8 Best Aussie Songs You Haven’t Heard” list over at Tone Deaf. Nice!Eat Your Friends: A Hidden Shoal 10th Anniversary Compilation
Hidden Shoal is excited to end the celebration of its 10th year of existence with the new compilation album Eat Your Friends, comprising remixes and covers of Hidden Shoal artists, by Hidden Shoal artists. This freely downloadable album not only showcases the wealth of original music released through Hidden Shoal, but also the creative ingenuity and deft musical touch of the remixers and cover artists.From searing solar-flared adaptations to delicately reconstructed covers, deep space jam reworkings, and shimmering ambient tapestries, Eat Your Friends reimagines the Hidden Shoal discography in new and beautiful ways, playing to all the strengths of the roster’s dizzying array of talent.
Includes remixes and covers by: Antonymes, Arc Lab, Glanko, Wayne Harriss, Liminal Drifter, Makee, Chloe March, Markus Mehr, Erik Nilsson, REW<<, Slow Dancing Society, Tin Manzano, Willem Gator, and Zealous Chang of music by: Arc Lab, Brother Earth, Cheekbone, City of Satellites, Medard Fischer, Gilded, Glanko & Daniel Bailey, Kryshe, Memorybell, Erik Nilsson, perth, Slow Dancing Society, Tangled Star, Umpire, and Zealous Chang.
Eat Your Friends is available now as a free download via Bandcamp and is also streamable via SoundCloud. Listen and then throw yourself into the wormhole as you explore the originals and more work by the remixers and cover artists. For all the filmmakers, games designers and others in need of engaging music, don’t forget that all tracks in our catalogue are available for licensing (film, tv, games, compilations etc).
Continue reading →Craig Hallsworth Featured at Insomnia Radio
Continue reading →Craig Hallsworth‘s latest single, ‘We’re Too Far Away (My Other Future, My Other Youth)’, is the current Daily Dose feature at Insomnia Radio! The track is lifted from Hallsworth sublime debut solo release What’s The Story With This Hole?.
Craig Hallsworth “What’s The Story With This Hole?” Out Now!
We’re excited to announce the official release of Craig Hallsworth‘s brilliant new album What’s The Story With This Hole?. The album is available now as a limited edition CD and in digital format via BandCamp, iTunes, Spotify and all the other other usual suspects.With over 30 years of songwriting experience under his belt, Craig Hallsworth makes What’s The Story With This Hole? feel effortless yet boundless. Recorded and produced with long-time collaborator Al Smith (DrAlienSmith, Bergerk Studios), the album represents the most musically developed and fully realised recording the pair have delivered to date. On the surface, these are perfectly composed and innately melodic pop/rock songs, with Hallsworth’s guitars alternately shimmering and snarling around his unmistakably keening vocals. The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.
It’s this juxtaposition that makes What’s The Story With This Hole? so special – musically rich and familiar sounds taken into unrelated narrative territories. In Hallsworth’s own words, “To me, the mysterious undecidability in the words plays a crucial part in the overall experience of the songs, making them events of sense and sensation. It isn’t so much that I consider the lyrics to be poetry, but I think a sense of poetry would be useful in approaching these songs.”
Continue reading →Craig Hallsworth Intereviewed on RTRFM
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Be sure to listen in to Drivetime on RTRFM this Thursday night at around 6pm to hear an interview with the inimitable Craig Hallsworth. Craig’s new album What’s The Story With This Hole? is the local feature all this week at RTR so be sure to tune in, dig it and win yourself a copy!
And if you missed it you can re-stream here.Craig Hallsworth Scoops Feature Album at RTRFM!
The beautiful folk at Perth’s RTRFM have bestowed Craig Hallsworth‘s brilliant debut solo album with Local Feature of the Week! What’s The Story With This Hole? is still a week out from the release however you can you tune in to RTR all this week and not only get an exclusive preview, but also win yourself a copy of the album.With over 30 years of songwriting experience under his belt, Craig Hallsworth makes What’s The Story With This Hole? feel effortless yet boundless. Recorded and produced with long-time collaborator Al Smith (DrAlienSmith, Bergerk Studios), the album represents the most musically developed and fully realised recording the pair have delivered to date. On the surface, these are perfectly composed and innately melodic pop/rock songs, with Hallsworth’s guitars alternately shimmering and snarling around his unmistakably keening vocals. The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.
The album drops on the 24th of October 2016.
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New Craig Hallsworth Single!
We’ve been itching to give you a taste of the sublime debut album from the inimitable Western Australian songwriter Craig Hallsworth and now the itching can cease! ‘We’re Too Far Away (My Other Future, My Other Youth)’ is the first single lifted from What’s The Story With This Hole? which will see release on the 24th of October 2016. Many will know the man from some of Perth’s pivotal seminal outfits such as The Bamboos, The Healers, wild palms, Zuvuya, Outstation, The Slow Beings, Tangled Star so this solo outing should rightly come with some level of excitement and expectation. We can guarantee that you’ll have your expectations and me and your appetites whet! Stream the single here and download it for free here. More on the new album below.With over 30 years of songwriting experience under his belt, Craig Hallsworth makes What’s The Story With This Hole? feel effortless yet boundless. Recorded and produced with long-time collaborator Al Smith (DrAlienSmith, Bergerk Studios), the album represents the most musically developed and fully realised recording the pair have delivered to date. On the surface, these are perfectly composed and innately melodic pop/rock songs, with Hallsworth’s guitars alternately shimmering and snarling around his unmistakably keening vocals. The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.
It’s this juxtaposition that makes What’s The Story With This Hole? so special – musically rich and familiar sounds taken into unrelated narrative territories. In Hallsworth’s own words, “To me, the mysterious undecidability in the words plays a crucial part in the overall experience of the songs, making them events of sense and sensation. It isn’t so much that I consider the lyrics to be poetry, but I think a sense of poetry would be useful in approaching these songs.”
“Craig Hallsworth knows his way around a tune with this set of sparkling power-pop, set with a country twang and cosmic touch” – 2ser on Tangled Star’s album Let’s Adjourn to the Garden
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Reviews
Craig Hallsworth “What’s The Story With This Hole?” Reviewed at Luna Kafe
“What’s The Story With This Hole? was launched a couple of months back, on October 24th, but we didn’t reach a review here at LK until now. Despite my promise when checking out the album’s first single, “We’re Too Far Away (My Other Future, My Other Youth)”.
Craig Hallsworth is a skilled and experienced songwriter, who has been writing, playing and performing (as a singer, guitarist and principal songwriter) rock music for more than 30 years. Hallsworth’s been part of the Perth rock scene, with bands and projects such as The Bamboos, The Healers, The Slow Beings, Tangled Star. Hallsworth has recorded debut solo release for Hidden Shoal with Recorded and produced with long-time collaborator Al Smith (a.k.a. DrAlienSmith) at Smith’s Bergerk Studios. The creative Hallsworth is currently working on a second album! Not bad, I must say.
The nine tracks on What’s The Story With This Hole? shows a songwriter presenting catchy, poppy rock with snappy guitars maybe not of the most modern, innovative kind. Well, thank you. I’m all fine with songs like these. Hallsworth’s songs has a certain glow and warmth, as this is poppy, melodic guitar rock with elegance and a human touch. Plain, neat pop songs. Period. When checking out “We’re Too Far Away…”, I compared the song’s atmosphere and attitude with some of the Kiwi rock from the Flying Nun label years back. Another reference could be the power-pop of Matthew Sweet, but maybe also The dB’s, Velvet Crush, my old fave Tall Grass Captains of Greater Chicago and several others.
However, the album opens with “Your Kind In The World”, which is a song being both punchy and laidback (which is quite a difficult combo). The song might be describing Hallworth’s love for (melodic) rock music.
‘I saw an electric guitar
Leaning against an amplifier
I saw strange drawings and scribble
All over the wall
I saw the carpet crawl
How would I ever find my way
Out of that wilderness?’What’s The Story With This Hole? rolls on indeed good, showing Hallsworth pulling fine songs out of his special hole in the ground. The already mentioned single, “We’re Too Far Away (My Other Future, My Other Youth)”, is one of the highlights, and so is “The Sphinx Is Working For The CIA”, the more psychedelic “Sunlight #1: Toxic Affirmation”, and the ballady “Ambrosial Friend”. Not to forget the long-stretched closing “Jonah, He Lived In A Micro-Apartment”, which ebbs with the tunes of an old evergreen, or hymn, or something. So, Craig Hallsworth, your What’s The Story With This Hole? is a very, very good and colourful album, being indeed charming, appealing and catchy. Exciting songs with flowering lyrics. To quote Hidden Shoal: ‘The real magic, however, lies a little concealed; songs often end up somewhere very different from where they started, and Hallsworth’s often surreal lyrical excursions act in striking counterpoint to the music.’
So, magic realism, aye? Or simply something (at times) real magic? Listening to What’s The Story With This Hole? is 3/4 of an hour well spent.”
Continue reading →Craig Hallsworth ‘We’re Too Far Away (My Other Future, My Other Youth)’ Reviewed at Luna Kafe
“Craig Hallsworth’s “We’re Too Far Away (My Other Future, My Other Youth)” is lifted from his forthcoming debut album What’s The Story With This Hole?. The album is due out on October 24, so let’s get back to the album next month. Until then, we’d better enjoy the pleasant “We’re Too Far Away (My Other Future, My Other Youth)”.
Western Australian (Perth) songwriter Hallsworth has played with (as singer, guitarist, and songwriter) a number of bands/projects over three decades, including The Bamboos, The Healers, wild palms, Zuvuya, Outstation, The Slow Beings, and Tangled Star. I have only checked out the last two names, and for both of them I’ve mentioned Kiwi pop/rock of the Flying Nun label (such as Sneaky Feelings and Straightjacket Fits) as a reference. “We’re Too Far Away…” is fresh and bouncy as windy power-pop should be and it effects my mood in a positive way. Hallsworth’s song(s) makes me happy, puts me in a good mood and that is a good thing when writing songs, right? I think Hallsworth’s power is to hold back. He is not exposing everything in his song at once. He is saving some clever details, which helps his songs shine longer, deeper, wider.
Hallsworth has been working with his collaborator Al Smith (a.k.a. DrAlienSmith) when recording his new album. I am looking forward to check out the rest of What’s The Story With This Hole?. Word is he’s already working on a second album. That is quite some energetic efficiency production-wise. Starting working on a new album before your latest album has been released. Sounds like a 1960s thing, right.”
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No reviews yet, sorry.
Lyrics
What’s The Story With This Hole?
Your Kind In The World
I stopped believing
There were your kind in the world
I struck a match in the dark
I cupped the tiny flame
I had a feeling
I didn’t know its name
I saw an electric guitar
Leaning against an amplifier
I saw strange drawings and scribble
All over the wall
I saw the carpet crawl
How would I ever find my way
Out of that wilderness?
We were born
To forget the splendour, I guess
And like the drums
We need the emptiness
That doesn’t mean we won’t be vouchsafed a sign
Or handed a line …
As if we’d never heard it once before …
As if we’d never heard it somewhere before …
I stopped believing
There were your kind in the world …
Now most of the gear’s been stolen
Lost or pawned
Another day has dawned
And what a marvel is modern man
Everyday Ghost Song
And with every little thing we say and do
We’re taking sides with them
Against me and you
And when we think we’re just living
Somehow we’re doing their killing for them
We’re like faces at the window
Smiling with the eyes crossed out
They see us in their dreams
Faces at the window
While they dream …
And when they get up and walk down the hall
It’s all happening in someone’s head
They have a concept and we inhabit it
Like a silver orb by the bed
Sometimes they seem dead to the world
But they just want us to try to run away
How could something beautiful have left such a stain?
Is there no escaping this refrain
For the disembodied voices singing?
It’s just another everyday ghost song
So sing along
It’s an everyday ghost song …
Everyday ghost song …
Everyday …
Everyday …
BYO Apocalypse
Come on, son, you have to get up with the sun
Shrug your shoulders before day is done
The night air belongs to cicadas
The heart belongs to its invaders
Come on, son, you have to keep up with the sun
Roll your eyes before the day is done
It’s only a sense of foreboding
It’s not the whole world exploding
Come on, son, you have to go down with the sun
Meet a strange fate when the day is done
A new dawn will break when it’s over
Clean and clear-eyed and sober
It’s over
How do you know when you’re sober?
How do you know when you’re sober? …
I’ve heard there’s a beautiful light
Wait – no, I was thinking of that other thing
We never had this conversation
What becomes of an agile mind?
How is it the empty circle is spilled?
Just a stray, sniffing at a proffered finger
One thing matters, one thing is real
It was there a minute ago
Reflecting a spiritual stagnation
Now we’re standing here face to face
A smazy dusk bestowing its grace
We’re not having this conversation
One thing is boredom, one thing is confusion
Two can contuse wrestling an illusion
Oh baby, baby, baby
Put it down to planetary rotation
The stairway to self-abnegation
The scream of the flying crustacean
Oh baby, baby, baby …
I walked alone
I froze and burned
I slept alone
I froze and burned
I woke alone
I had returned
I’m not alone
I have returned
We’re Too Far Away (My Other Future, My Other Youth)
To be here, a distant dream
So you have to wave and scream
Is someone breathing in the hall?
Is someone walking through a wall?
Was someone carried by the crowd
Worshipping a burning cloud?
But I’ve got time for mysteries
Still, they perish on the window sill
Where do you go everyday?
The skies at night are my other future
The streets at night are my other youth
Your sweet face is my other zero
Your lost lover is my other hero
Your treachery is my other truth …
This treachery is my other truth …
It’s a kind of winnowing
The molecules begin to sing
Before you disappear again
I realise you were also my friend
Wish there were something I could take
A blue planet for a minor ache
Or a blue planet for a minor ache
A word for such astonishment:
A hangover
This space for rent
Who are you when you’re at home anyway?
This Mexican Fender is my other guitar
I’m bleeding now from the other side
We’d live again if we could only get there
This vortex is my usual weekend
It’s patrolled by an unmanned drone
Are we blind, are we all alone?
Are we statues, are we made of stone?
Or are we statues, are we made of stone?
We see the light but we’re too far away
We can see the light but we’re too far away …
We’re too far away …
The Sphinx Is Working For The CIA
Then I say, “Pretty speeches are not my thing –
Just give me noisy air-conditioning”
They’ve got headphones on
In a van in the street below
Is it only that I’m programmed to show
My humanity in the lurid blue glow
Of a digital clock by the bed
In a room with a seascape print?
Fuck off imperialist scum
But they don’t understand
You’ve got to give them a hint
Was there any news today?
The Sphinx is working for the CIA
The Sphinx is working for the CIA
Don’t waste water, and put your pistol away
I thought she said the Sphinx is working for the CIA
Turn out the lights, and throw your garbage away
Don’t you know the Sphinx is working for the CIA?
The Sphinx is working for the CIA …
Days gallop into the night
Blood drips out of a stone
Turtles swim in the sky
Our two lovers are not alone
‘Cause they have each other to live for
In this overcrowded place …
I forgot the question
But what if the answer’s an amateur from outer space?
We arrived before dawn
At Judges Bay Road
And let ourselves in
You might be surprised to learn
The door was unlocked
But we left straightaway
A man on a bench raised an eyebrow
A tree on a hill looked as though it were where it was meant to be
It was a blissful tree
I confess I put on your glasses for fun
And then while I was at it I read a poem
It located my soul like a water-colour x-ray
Crashed into my mind like some kamikaze butterfly
Ah, that’s why
That’s why
That’s why
That’s why …
The Road Doesn’t Lead To The Tower
Poseidon’s daughter came to bring the things I’d lost back to me
When I was down and out sunbathing in a cemetery by the sea
Oh the road didn’t lead to the tower
Or whatever it was I could see in the distance
You could say it was paved with shattered illusions
And that I never saved anything for a rainy day
And now it’s a rainy day
I had a dream – I was busking
And someone was shouting, “You’ll never be Craig Hallsworth!”
To which I replied, “Hey, I’m pretty sure
I’m blowing him out of the water!”
Oh the rose that is a rose that is just a pose
Struck in the twilight – that’s the way it goes
You’re making it up as you walk along
And it becomes your song
Even though you don’t belong, it becomes your song
How does it feel to arrive
And be so empty and alive?
The world’s wearing a transfigured face
Every raindrop’s falling into place
Standing in those worn out shoes
Far from the land of rave reviews
And all that stuff that leaves you cold …
Oh because the road doesn’t lead to the tower
Or whatever it is you can see in the distance
Sometimes it’s a steep learning curve
So you can fall down and weep
Or you can just go on your nerve
As the poet said, you just go on your nerve
The road doesn’t lead to the tower
Or whatever it is you can see in the distance
They say it’s the irritating insistence
That accretes the pearl
Sunlight #1: Toxic Affirmation
I couldn’t comprehend what I was seeing
It was some kind of message of love
From a golden being
That appeared to me
And when I woke up I was bruised and bleeding
Sometimes you wonder about the life you’re leading
Why don’t you fly away, bird?
Or haven’t you heard
You can defy irony?
Stardust on your wing
And an eternal tinge to your eye
Losing everything but getting to keep the handle
It’s not nothing to hold on to
I stole a stethoscope to try to locate the beat
I called an ambulance because I had cold feet
Yeah, imagine how the poets feel
Competing with a helpless squeal in the night
Everybody’s investing in some fantastic plight
Who could be happy lying wiggling their toes in the sunlight?
Hello, is anybody home?
I don’t know, you go for a walk
In a lonely field
And you get a reputation
Step inside, the door’s wide open
And your fate is sealed
But there’s still time for one more toxic affirmation …
Everybody’s investing in some fantastic plight
Who could be happy lying wiggling their toes in the sunlight?
Imagine how the poets feel, competing with a helpless squeal in the night
Who could be happy lying wiggling their toes in the sunlight?
In the sunlight
In the sunlight
In the sunlight …
Ambrosial Friend
If I were alone on a desert island
And all I had to listen to was this
I’d throw it in the sea
I’d throw it in the sea
I’d throw it in the sea
It’s just our destiny
To be the Great Amnesiacs
It’s not enough that everything began
Way back when
It must begin again
Michael howl the execrations
Sister help to fuck shit up
Can you hear your own footsteps?
Can you hear your own footsteps?
Can you hear your own footsteps?
Tonight I watched the eighth best film of all time
I toughed it out ‘til I woke to find
It’s an amazing world
Oh, it’s okay
I love you, anyway
And I’m happy to meet your ambrosial friend
But I’m sorry to meet this prosaic end
Wandering through these factories and mines
Laughing at the working man
Laughing at the working man
Laughing at the working man
What are you gonna do?
Take a drive to Stony Batter
Just give up and turn around
Who killed your summer day?
Who killed your summer day?
Who stole your summer days?
Sometimes it seems to me that natural spontaneity is the Devil
Then he’s in the phrasing, in the mannered style
Listen, you can hear him smile
Then she pulled out a cell phone
Held together with elastic bands
Jonah, He Lived In A Micro-Apartment
Jonah, he lived in a micro-apartment
And he came up with a theory
About fish being addicted to alcohol
But he had no way to prove it
He used to get up at dawn and go walking
Down by the sea
He would watch the waves rolling in
Thinking, “Whatever happened to me?
Am I the only one with a sense of mystery?
All I ever seem to hear
Are fools lamenting all the foolishness in the world”
Then one morning he was passing a newsstand
And in the photo of some American rock band
He saw himself with a guitar and long blond hair
And all he could do was stand and stare …
There’s someone in the crowd tonight
So far away, but suddenly the end is in sight
She’s carrying a Saga Stone in a bloodied scarf
Held to her right ear
Because there’s something she wants to know
Because there’s something she wants to know …
It’s better to start out
One fine day
And be overtaken
Who are you truly?
And what will you show me?
Lonelier than a sign
Amid all the scratching
And clawing at life
Here comes that frail chance
Here comes that frail chance
But what if you’ve crushed
Your spirit guide
Like a bug, accidentally?
If no one is watching this
I’ll turn it off
It’s a waste of electricity
They’re strolling backwards
Along the beach
The low sun slowly climbing
Wearing a kimono
As if she were real
Pouring green tea with roasted rice
They made love in the afternoon
And slept while a vine
Grew in through the window
Artist Photos
Music Videos
No music videos yet, sorry.
Licensing
Craig Hallsworth’s music is available for licensing (master & sync cleared) through Hidden Shoal. Please contact us with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.