Liminal Drifter “The Dreams” Reviewed at Igloo Magazine
“The third album for Simon Order (aka Liminal Drifter), it’s easy to hear that the artist has had an extensive background in sonic sculpting and The Dreams is such a behemoth which follows 2015’s Troubled Mystic. “Beach Fair” is its own hypnotic electronic...Connected View ‘Lizard’ Reviewed at The Sunday Experience
“much darker than we’ve been known to expect heading out of the Hidden Shoal imprint, this is a sneak peak of the shadowy call signs locked within Connected View’s imminent EP set ‘negative energy house’ via the immensely brooding dark star that is ‘lizard’. As...Crisopa “Transhumante [Extended]” Reviewed at Headphone Commute
“I’ve been a fan of Hidden Shoal for over a decade now. Born in 2006 [right around the same time as I began to write about music], this Perth (Australia) based label has been appearing on my rotations, and end of year lists, with their experimental ambient...Erik Nilsson “The Imperfect Tense” Reviewed at Music Will Not Save You
On the third album, Erik Nilsson offers a new essay of his curious electro-acoustic experiments; continuing the elliptical parable of the previous “Hearing Things” (2015), in “The Imperfect Tense” the Swedish artist takes his look to embrace seven enigmatic soundscapes, fruit of the creative intersection between harmonic fragments and sound landscapes soaked in melancholy kinematics.