Chloe March ‘All Things Good’ Reviewed at Fifty3 Musings on Music
“It was hard not to be charmed by the beauty of Chloë March’s album, Starlings & Crows, which flew into sight in October last year. As a timely reminder of her precious talent, the English ambient-pop artiste has just shared a third single off the record,...Chloe March ‘All Things Good’ Reviewed at Fresh on the Net
“I first heard the unique and otherworldly music of Chloë March on Tom Ravenscroft’s BBC 6 Music Show some 6 or 7 years ago. Little did I know that we would later become friends and we would both, in different roles, become stalwarts of Fresh On The Net. In that...Chloe March “Starlings and Crows” In Best of Mark Griffin’s Best of 2020
“A stunningly lovely blend of electronic and orchestral jewel tones, sensitive vocals and diaphanous compositions, this record envelops and holds you to its chest where you can feel its beating heart.” – Mark GriffinChloe March “Starlings & Crows” Reviewed at Textura
However tempting it might be to cite artists such as Elizabeth Fraser and Tracey Thorn as reference points when speaking of March, Starlings & Crows—not for the first time—shows she’s staked out her own artistic place. No one sounds quite like her, either vocally or musically.
Chloe March “Starlings & Crows” Reviewed at Music Won’t Save You
The eleven tracks of “Starlings & Crows” are the result of an immediate and very sophisticated elaboration process, which derives from the comparison with places and personal memories, filtered by an approach of enchanted candor, faithfully reflected by soft synthetic stratifications, marked by occasional pulses and fragile watermarks of notes. The delicacy and apparent vulnerability that transpire from the work are paired with the clear awareness of Chloë March in her vivid dream-pop emissions, arising from an undoubtedly personal dimension but calmly aimed at universal emotional spaces.