Except: [Translated] “A monolithic body [of] sound sometimes waving [like] a giant environment, like a kaleidoscope, granting a few colors in pictures [the] are always different, this is “Lava” first album of German musician Marcus Mehr. The strong tradition of kosmische muzik resonates between the thick textures of “software”, but [Mehr] seems more prone to stay [with] dreamy British art-rock, from which it extracts to a brightly colored cloth [which would] otherwise sound granite…. Markus Mehr provides the public with a hard-faced, whose apparent predictability is eradicated by a constant cacophony of noise that is magnified in “Up-Sturz, with industrial and post-rock tracks that set aside the charm between songs to become a chaotic nightmare… Suggestions, perhaps absurd quotes, but emotion is the result of “Lava,” objectionable… and alienating, but the result of research and passion can also be found with casual listening. How accessible or valid his “Lava” is therefore not the result of a numerical scale but the consequence of a certainty Mehr has made it more tangible and vivid sense of the music, ambient-drone, without changing the appearance”
